Category Archives: Research

December 2, 2011 — Gifts From the Blogosphere

There’s noth­ing like hav­ing a cold over the hol­i­days to make you feel sor­ry for your­self. It’s that old deject­ed feel­ing that creeps in as the box of kleenex gets emp­tied. Now that I’ve recov­ered, I’m hav­ing some belat­ed Thanks­giv­ing thoughts, tal­ly­ing up the wind­falls that have come my way over the past year — many by way of the inter­net and blo­gos­phere. Recent­ly I made an inter­net con­nec­tion with blog­ger Duri­an Dave, who turned out to be a very gen­er­ous like-mind­ed soul with an incred­i­ble visu­al archive and wealth of knowl­edge about old Chi­nese films and film actress­es.  See his blog and Tum­blr for hours of enter­tain­ing and eye-open­ing arti­cles and pho­tos.  David advanced my KUKAN research tremen­dous­ly by send­ing a bunch of choice KUKAN relat­ed items to me, includ­ing this vin­tage lob­by card.

Lobby card for the 1941 Oscar-winning documentary KUKAN

Lob­by card for the 1941 Oscar-win­ning doc­u­men­tary KUKAN

Besides dis­play­ing gor­geous col­or and imagery, the card had an intrigu­ing embossed stamp on the bot­tom of it:  “STATENS FILMCENSUR 1947–48.” David sus­pects that the stamp refers to Swe­den’s cen­sor­ship board. If he’s right, that means KUKAN screened all the way in Swe­den! So if any of you Swedish film col­lec­tors come across 16mm Kodachrome col­or footage of Chi­na that appears to be from 1939 or 1940, let me know! We’re still look­ing for good par­tial prints to help with the KUKAN restoration.

My next post will fea­ture the fab­u­lous pho­to of a jet-set­ting Li Ling-Ai that Duri­an Dave dug up as well as info about a cou­ple of oth­er ground­break­ing Chi­nese Amer­i­can females work­ing behind the cam­era. Why not now you might ask. Hey, I’m still recovering!

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July 23, 2011 — A Visit to the New York City Office of the National Archives

When I first start­ed check­ing to see if Li Ling-Ai could have been the real life inspi­ra­tion for the fic­tion­al detec­tive Lily Wu, I tracked down some of her trav­els through boat records that are avail­able on Ancestry.com.  One of the Ances­try records was a New York Exclu­sion file that list­ed the date of her arrival in San Fran­cis­co.  Going over the notes on the record again, I saw that Li Ling-Ai’s file includ­ed an inter­ro­ga­tion.  Since the inter­ro­ga­tion occurred only a year before Li Ling-Ai met Rey Scott and con­ceived of mak­ing the movie KUKAN, I was anx­ious to read through the inter­ro­ga­tion to see if it con­tained any clues.  In July I final­ly got a chance to vis­it the NYC office of the Nation­al Archives where Li Ling-Ai’s Exclu­sion file is located.

photo of Robin Lung at the NYC office of the National Archives

Robin Lung exam­ines Li Ling-Ai’s Chi­nese Exclu­sion File at the NYC office of the Nation­al Archives

It was amaz­ing­ly well-pre­served, and I had a lot of mixed emo­tions while exam­in­ing it.  On the one hand, I was excit­ed to see a pho­to­graph of Li Ling-Ai in the file that I had nev­er seen before and let­ters that were hand-writ­ten by her.  Han­dling the doc­u­ments gave me a very vis­cer­al con­nec­tion to the past and to this woman that I have been pur­su­ing for the last cou­ple of years.

photo of Li Ling-Ai's Chinese Exclusion File

Li Ling-Ai’s Chi­nese Exclu­sion File

On the oth­er hand I was appalled that this file exist­ed in the first place.  I had to think about the bla­tant anti-Chi­nese dis­crim­i­na­tion that led to The Chi­nese Exclu­sion Law — the rea­son for the cre­ation of the file I was touch­ing.  I was astound­ed that a U.S. cit­i­zen like Li Ling-Ai (she was born in Hawai‘i in 1908 when it was already a U.S. Ter­ri­to­ry) who had a U.S. Pass­port (doc­u­ment­ed in the file) would have to spend days at the NYC Immi­gra­tion Office in order to get a re-entry form that would make it pos­si­ble for her to come back to her own coun­try after leav­ing it!  And that she would have to sit through an inter­ro­ga­tion to prove that she was authen­tic despite all the oth­er doc­u­men­ta­tion she had made me even more indignant.

 

As a researcher, I was thank­ful to be able to access the reveal­ing infor­ma­tion in the file and draw both the pos­i­tive and neg­a­tive ener­gy from it.  So I have to acknowl­edge the hard work that goes into index­ing, stor­ing and retriev­ing these records.  That day at the Archives I wit­nessed two vol­un­teers who were labo­ri­ous­ly going through files and enter­ing data into lap­tops so that oth­ers like me could find infor­ma­tion about ances­tors and char­ac­ters from the past.  I wish I had got­ten their names and tak­en pho­tos of them if only to pay a small homage to all the oth­ers like them who have helped for­ward my investigation.

photo of documents in Li Ling-Ai's Chinese Exclusion File

Doc­u­ments in Li Ling-Ai’s Chi­nese Exclu­sion File

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May 21, 2011 — Official FINDING KUKAN Website Goes Live

If you build it.…they will come.”

I’m adapt­ing the lines from the great base­ball book/movie Shoe­less Joe/Field of Dreams and hop­ing they’ll apply to this web­site and even­tu­al­ly to the fin­ished doc­u­men­tary FINDING KUKAN. Since this project has been fueled by online research and dis­cov­er­ies made pos­si­ble by oth­er web­sites, it’s only appro­pri­ate that I put out one of my own.  Now it’s up to the cyber­space gods to work their magic…

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May 2010 — Producer Robin Lung Travels to NYC for Research

Pro­duc­er Robin Lung trav­eled from Hawai‘i to New York City, New Jer­sey and Con­necti­cut to research her doc­u­men­tary film on Li Ling-Ai and KUKAN.  She was able to meet with sev­er­al of Li Ling-Ai’s friends and access impor­tant archives at Colum­bia Uni­ver­si­ty and Prince­ton deal­ing with US/China rela­tions and the pre-WWII Chi­na Aid effort.  With the assis­tance of expert cam­era­man Frank Ayala,  Robin inter­viewed Rey Scot­t’s niece Con­nie Tup­per who saw KUKAN when she was 12 years old.

Frank Ayala, Robin Lung and Connie Tupper

Cam­era­man Frank Ayala and Pro­duc­er Robin Lung inter­view Rey Scot­t’s niece Con­nie Tupper

 

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