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Tag Archives: Shadow theater
I knew when I saw the stunning shadow visuals designer/animator Chris Do did for a GAP campaign that I wanted to use the same technique for FINDING KUKAN. I envisioned Do’s animation being brought to the genius shadow scenes that Larry Reed develops for ShadowLight Productions as the perfect way of carrying the emotion of especially intimate or harrowing scenes in the dramatic narrative of Li Ling-Ai and Rey Scott’s lives.
So it was thrilling to have both Chris Do and Larry Reed in the same room with me today in Santa Monica at Chris Do’s BLIND design studio office space. Larry joined us by SKYPE and conference call from San Francisco (SKYPE can drop out on you when bandwidth is scarce).
After our meeting I realized that I had found two creative geniuses who were also practical producers with years of experience in how to ACTUALIZE a visual idea. The pragmatic, step-by-step path to bringing a new way of visual storytelling to the screen in FINDING KUKAN, just got a whole lot clearer thanks to Larry & Chris.
I invite you to check out their work HERE and HERE. If you are as wowed by it as I was, please consider contributing to the collaboration process at our Post-Production GIFT REGISTRY. If you have any cool shadow ideas or images you think would work well in the film, please post on our Facebook page at http://www.facebook.com/kukandocumentary and write “Shadow Idea” in the comments section (and don’t forget to LIKE us while you’re at it)!