May 2, 2013 — Collaborating With Shadow Creatives

I knew when I saw the stun­ning shad­ow visu­als designer/animator Chris Do did for a GAP cam­paign that I want­ed to use the same tech­nique for FINDING KUKAN.  I envi­sioned Do’s ani­ma­tion being brought to the genius shad­ow scenes that Lar­ry Reed devel­ops for Shad­ow­Light Pro­duc­tions as the per­fect way of car­ry­ing the emo­tion of espe­cial­ly inti­mate or har­row­ing scenes in the dra­mat­ic nar­ra­tive of Li Ling-Ai and Rey Scot­t’s lives.

 

 

So it was thrilling to have both Chris Do and Lar­ry Reed in the same room with me today in San­ta Mon­i­ca at Chris Do’s BLIND design stu­dio office space.  Lar­ry joined us by SKYPE and con­fer­ence call from San Fran­cis­co (SKYPE can drop out on you when band­width is scarce).

Chris Do and Robin Lung SKYPE Larry Reed from the BLIND offices in Santa Monica

Chris Do and Robin Lung SKYPE Lar­ry Reed from the BLIND offices in San­ta Mon­i­ca

After our meet­ing I real­ized that I had found two cre­ative genius­es who were also prac­ti­cal pro­duc­ers with years of expe­ri­ence in how to ACTUALIZE a visu­al idea.  The prag­mat­ic, step-by-step path to bring­ing a new way of visu­al sto­ry­telling to the screen in FINDING KUKAN, just got a whole lot clear­er thanks to Lar­ry & Chris.

Chris Do helps Robin Lung lay out a plan of action for creating FINDING KUKAN's shadow scenes.

Chris Do helps Robin Lung lay out a plan of action for cre­at­ing FINDING KUKAN’s shad­ow scenes.

 

I invite you to check out their work HERE and HERE.  If you are as wowed by it as I was, please con­sid­er con­tribut­ing to the col­lab­o­ra­tion process at our Post-Pro­duc­tion GIFT REGISTRY.  If you have any cool shad­ow ideas or images you think would work well in the film, please post on our Face­book page at http://www.facebook.com/kukandocumentary and write “Shad­ow Idea” in the com­ments sec­tion (and don’t for­get to LIKE us while you’re at it)!

 

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