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Tag Archives: Michelle Scott
When I first made contact with Rey Scott’s granddaughter Michelle Scott and filled her in a little about the story behind KUKAN, she felt a need to transfer that story into paint and shared with me a vision she had for creating a whole room of paintings dedicated to her grandfather and KUKAN. It seemed like a far-fetched dream back then. So I was more than a little excited to go to Atlanta to witness the opening of Michelle’s solo show — THE KUKAN SERIES. Michelle hadn’t shared any images of the new work with me, so I wasn’t prepared for the visual sweep and emotional power of the work. It literally brought me to tears. Here are a few choice pieces from the show. WARNING — these photos do not do the pieces justice. The real pieces have an almost three-dimensional quality that allows the viewer to enter into the scene and experience a little of Rey Scott and Li Ling-Ai’s world back in the late 30’s.
The 36“X36” piece that Michelle created exclusively for our Kickstarter fundraising drive is displayed right in the front window of 2Rules Fine Art in Marietta. Casual strollers walking down the sidewalk can’t help but be pulled in to find out with the imagery is all about. For close up details of this painting go to our Kickstarter home page.
The KUKAN Series contains a few gorgeous tributes to Li Ling-Ai the Chinese American author who was the uncredited co-producer of KUKAN with Rey Scott.
The work below contains images of Li Ling-Ai from three different decades and three different locations (the old Honolulu Academy of Art, Beijing China, and New York City)
There are also fabulous pieces that provide a visual montage of the China witnessed through Rey Scott’s camera. He took both stills and 16mm color movies. Some of his old cameras are on display too with the original stills.
Rey Scott traveled all the way to Tibet and filmed some of the first color footage of prayer rituals there.
Michelle’s take on the original KUKAN lobby cards for the United Artists version of the film.
Rey Scott also filmed the famous Burma Road as it was being built.
A reminder of the British influence in Hong Kong which fell to the Japanese in 1941.
A whole movie could be made just about the baby giant panda bear that Rey Scott brought from Chengtu to the Chicago Zoo. Originally christened “Li Ling-Ai” by the foreing journalists in Chungking, it was later named Mei Lan when it was identified as a boy panda bear.
There are many more gems in this show. But the emotional highlight for me was being able to see the first two portraits of Rey Scott and Li Ling-Ai that Michelle did. I first saw them on her website before we even knew each other and before she even knew who Ling-Ai was. This was the first time I was able to see them both in person. Since the pieces had been sold to different collectors several years ago, this was also the first time they were reunited in the same room for quite some time — a symbol of hope for me as I continue to seek funding to finish FINDING KUKAN.
If you are in the Atlanta area make an effort to see this historic show — up only until October 26, 2012
I got goose bumps when I first saw Michelle Scott’s paintings on her webpage two years ago, and I’ve been a fan of her work ever since. Since my discovery of KUKAN, Michelle has been using her grandfather Rey Scott’s China photographs in her paintings.
Recently she created a couple of exciting new paintings for a group show at 2Rules Fine Art Gallery that will open on February 3rd in Marietta, Georgia. While seated at my desk in Hawaii, I was able to interview Michelle about that process with the help of Skype and Atlanta DP Wes Browning of Sema Films.
Wes also got some nice shots of Michelle putting some final touches on her paintings before delivering them to 2Rules. Wes and Skype facilitated another virtual meeting and interview with gallery owner Becky Rule. Of course I would have loved to do be there in person for it all, but I’m thankful that Skype and Wes allowed me to be a virtual part of it. Here are some photos Wes took of the shoot.
Although I’m more comfortable being behind the camera than in front of it, I agreed to be profiled on OC 16’s Career Changers TV show in order to get the word out about FINDING KUKAN. Producer Rich Figel and Cameraman/Editor Stan Chang managed to boil my life of job-hopping down to a succinct 4 minutes or so. Even better, the lead in and out of the piece made people really want to see the work-in-progress trailer and learn more about KUKAN. The show airs through December on digital channel 16 or 1016 in Hawaii. The show is rebroadcast Fri 2:30pm, Sat 6:30pm, Sun 12:30am, Mon 9:00am, and Wed 2pm and Thur 8:30pm through December. If you can’t catch it, here is a low resolution version.
KUKAN cameraman Rey Scott for the first time. I was planning to spend a week with Rey Scott’s granddaughter artist Michelle Scott and take a long road trip with her from her home in Kennesaw, Georgia to her uncle’s house in Tallahassee. Michelle was on a mission to find more of her grandfather’s photographs and learn as much as she could about what he was like as a person. I wanted to tag along to document her search and poke around myself for additional information about Li Ling-Ai.I was a more than a little nervous as I prepared for a trip to Georgia and Florida to meet descendants of
As I packed my suitcase I worried that since Michelle and I didn’t really know each other the trip could be a total fiasco. Fortunately Michelle and the rest of the Scott family were so openhearted and supportive that I felt instantly comfortable after meeting them and the trip was more successful than I could have imagined. Witnessing Michelle’s passion for her art and her commitment to preserving her grandfather’s legacy infused me with new energy to face all of the tedious things that go along with documentary filmmaking (like logging and transcribing footage and writing grant proposals).
I realize that gaining access to people and places outside of my everyday comfort zone is one of the immeasurable rewards of this process. I’m looking forward to what the next road trip will bring me.