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Tag Archives: documentary production
New York in June could only be made possible by the hospitality of longtime friend Peer Just. A free place to stay in New York meant that I could funnel some of our funds towards filming two crucial interviews with Asian American scholar Judy Wu and the award-winning author Danke Li. Both provided important insights into Li Ling-Ai’s motivations and how World War II transformed the everyday lives of women in both the United States and China. Answering the last-minute call for camera help were our New York go-to DP Frank Ayala and another longtime friend Ruth Bonomo.
A visit to New York also meant I got to hang out with Calamity Chang, who has volunteered to record temporary voice over lines that allow us to edit our historical scenes. Calamity constantly inspires me by her willingness to embrace her performance instincts and bare it all in her wonderfully tongue-in-cheek burlesque shows. She also knows her Chinese history and promotes projects like ours that bring it to the forefront. Her musician/photographer husband Mike Webb put in hours of free time as our sound man while dog Chewie quietly put up with our intrusion. After a super long recording session on a sunny Sunday afternoon, we all needed a New York specialty cocktail.
Just being in NYC is a real shot in the arm for a filmmaker. Visual stimulation is everywhere and so are other artists whose very existence and work are like cheers from the sidelines.
Before my New York trip I got word that I received a fellowship to go to China to join a group of high school educators form Canada and New Jersey on a World War II centered study tour. It would be my first trip there, so China was on my mind.
Li Ling-Ai’s spirit is also close at hand when I am in NYC. Her great friend Larry Wilson offered to point out the third floor apartment where she spent most of her life on West 55th street. The breeze picked up and the trees outside the apartment did a dance as we looked up to the third floor.
My main reason for traveling to LA was to interview Li Ling-Ai’s nephew Andrew Li who was a young boy of 8, living in Nanking when Rey Scott and Li Ling-Ai began pre-production for KUKAN.
I hoped to find out more information from Andrew about Ling-Ai’s connections in China at the time. Though I was able to gather some valuable information from my interview, the 5 days in LA turned out to be about so much more — a lot of it behind the scenes stuff that will never make it into the documentary.
Getting to know the talented filmmaker Ann Kaneko was one of the unexpected bonuses of the trip. Thanks to generous donations from early FINDING KUKAN supporters, I was able to hire Ann for a couple of days as my LA Director of Photography. Having a dp with a real interest in the project and experience with both editing and being a character in her own films was invaluable.
Witnessing Ann balancing her dedication to her work with the demands of raising her 8‑month old daughter Ceiba was a real inspirational shot-in-the-arm too.
As I lunched with Andrew Li, his daughters Portia and Quincy, and his wife Gilda I got a sense of the rich life Li Ling-Ai had beyond KUKAN and the profound ripple effect that personal stories can have through time and space.
Filming B‑roll scenes of Ed Carter at the Margaret Herrick Library introduced me to this gorgeous building and amazing film history resource for the first time (I am already thinking of excuses to return to spend more leisurely hours there).
It also gave me an excuse to hook up with the perennially upbeat Rebecca Bozzo again. Becca is a dedicated young filmmaker who shares a passion for old movies and has been a FINDING KUKAN supporter from almost day one.
Dan & Denise Levenick invited me to their home in Pasadena to view their mother’s home movies and photographs of 1930s Hawaii. Besides giving me another reason to marvel at the generosity and kindness of strangers, Dan and Denise provided me with precious “before-my-time” knowledge of my home town.
Talking to AMPAS Presrevationist Joe Lindner about the arduous process of restoring KUKAN gave me new insights into the precious nature of old film, the historic value that even old home movies have, and the galling number of films that have been destroyed by time.
Finally my hosts in LA, John and Ille-Heid Zaner, provided me with an intimate view of what living in LA can be like, inviting me to neighborhood parties, providing home-cooked meals after long days of shooting, chauffering me around in vintage vehicles, and sharing Ille’s sister Elke’s amazing Christmas cookies with me.
The result is that after my 5‑day production shoot in LA, a city that I once had a very low opinion of, I can’t wait to go back.
KUKAN cameraman Rey Scott for the first time. I was planning to spend a week with Rey Scott’s granddaughter artist Michelle Scott and take a long road trip with her from her home in Kennesaw, Georgia to her uncle’s house in Tallahassee. Michelle was on a mission to find more of her grandfather’s photographs and learn as much as she could about what he was like as a person. I wanted to tag along to document her search and poke around myself for additional information about Li Ling-Ai.I was a more than a little nervous as I prepared for a trip to Georgia and Florida to meet descendants of
As I packed my suitcase I worried that since Michelle and I didn’t really know each other the trip could be a total fiasco. Fortunately Michelle and the rest of the Scott family were so openhearted and supportive that I felt instantly comfortable after meeting them and the trip was more successful than I could have imagined. Witnessing Michelle’s passion for her art and her commitment to preserving her grandfather’s legacy infused me with new energy to face all of the tedious things that go along with documentary filmmaking (like logging and transcribing footage and writing grant proposals).
I realize that gaining access to people and places outside of my everyday comfort zone is one of the immeasurable rewards of this process. I’m looking forward to what the next road trip will bring me.
A couple of months ago I purchased a Panasonic GH2 to take on my trip to NYC and Atlanta so that I could shoot some interviews and footage of artist Michelle Scott — the talented granddaughter of KUKAN cameraman Rey Scott. As with most new cameras, it’s a learn as you go and make mistakes process. The second day in NYC, I had my battery go out in a test interview and got a corrupted mts file on the SD card (techie language for a screwup that you do not want to happen during the real thing). I decided I needed an AC adaptor for the camera — that should be easy enough in the big apple shopping capitol, right?
Surprise, surprise, the two biggest camera stores in Manhattan were out of stock. Fortunately, I discovered Alex & Tony at H & B Digital on 46th Street. Not only did they have the part, but they were the sweetest salesmen that I’ve run across in a long time. They patiently looked up how the adaptor worked, let me test it, and then spent almost an hour advising me about filters and giving me a pep talk about doing a shoot on my own — something I have to face when the budget won’t tolerate hiring a larger crew.
So if you find yourself in NYC with camera needs, check Alex and Tony out on 46th St. They are a small shop, but well-stocked and have great prices too. Most of all they have a passion for photography & filming and seem to love what they do.