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Category Archives: KUKAN
November 29, 2014 — Year in Review (Part 2 — New York in June)
New York in June could only be made possible by the hospitality of longtime friend Peer Just. A free place to stay in New York meant that I could funnel some of our funds towards filming two crucial interviews with Asian American scholar Judy Wu and the award-winning author Danke Li. Both provided important insights into Li Ling-Ai’s motivations and how World War II transformed the everyday lives of women in both the United States and China. Answering the last-minute call for camera help were our New York go-to DP Frank Ayala and another longtime friend Ruth Bonomo.
Leaving NYC home base for a day of production on Long Island — first the subway, then the train, then the ferry.
Judy Wu, author of DR. MOM CHUNG, took time out from her Port Jefferson vacation to sit for a great interview. Ruth Bonomo pitched in as DP on short notice, providing wheels, camera and lights. Judy’s family fed us a great spaghetti dinner beachside. Signing K for KUKAN!
DP Frank Ayala with Danke Li, author of ECHOES OF CHONGQING, WOMEN IN WARTIME CHINA
A visit to New York also meant I got to hang out with Calamity Chang, who has volunteered to record temporary voice over lines that allow us to edit our historical scenes. Calamity constantly inspires me by her willingness to embrace her performance instincts and bare it all in her wonderfully tongue-in-cheek burlesque shows. She also knows her Chinese history and promotes projects like ours that bring it to the forefront. Her musician/photographer husband Mike Webb put in hours of free time as our sound man while dog Chewie quietly put up with our intrusion. After a super long recording session on a sunny Sunday afternoon, we all needed a New York specialty cocktail.
Going over scripts with Calamity Chang.
Musician and Photographer Mike Webb pitches in as sound man to record our temporary voice over tracks.
Chewie after a long recording session
One of the killer cocktails I had in NYC featuring cucumber and gin
Just being in NYC is a real shot in the arm for a filmmaker. Visual stimulation is everywhere and so are other artists whose very existence and work are like cheers from the sidelines.
Inspiration from Steven Salmieri and his wife Sydney Michelle
Inspiration from artist, hat designer and jewelry maker Carol Markel
Inspiration from my husband Paul Levitt who is designing a book with Dana Martin about his visit with Man Ray
More inspiration from a screening and Q&A with D.A. Pennebaker and Chris Hegedus
Before my New York trip I got word that I received a fellowship to go to China to join a group of high school educators form Canada and New Jersey on a World War II centered study tour. It would be my first trip there, so China was on my mind.
Looking ahead to China in July at the Ai Wei Wei exhibit in Brooklyn
Imagining China
China Kitsch
Li Ling-Ai’s spirit is also close at hand when I am in NYC. Her great friend Larry Wilson offered to point out the third floor apartment where she spent most of her life on West 55th street. The breeze picked up and the trees outside the apartment did a dance as we looked up to the third floor.
November 29, 2014 — Year in Review (Part 1- More Editing)
Wow, I can’t believe it’s been a whole year since my last blog. Let me assure you, we have been busy and the film is progressing in remarkable ways. It’s just that sometimes a Facebook post is easier to do than putting down a whole blog paragraph. Thinking back on the past year, I groan at the thought of all the grant applications I wrote, and the many tweaks we made to our work-in-progress video. But I also have a great sense of accomplishment knowing that the film has gotten stronger with every grant application. The year contained several highlights, including breakthrough edit sessions, a production trip to New York, my FIRST TRIP TO CHINA, and a wonderful work-in-progress workshop on the prestigious LBGT film festival cruise Pride of the Ocean.
Because of the generous donations of a lot of people, we managed to get into the edit room several times this year. Turning 100 hours of accumulated footage into a compelling story is a time-consuming and often tedious process, involving hours of transcribing interviews, logging b‑roll footage, writing and re-writing narration lines, and hunting for obscure historical photos and film footage.
Robin records temporary narration in the sound-proof storage closet at Rubber Stamp Plantation in Honolulu
Luckily producer/editor Shirley Thompson has the real heart of gold she advertises and comes to work with a sharp storytelling scalpel. I took stock after our last edit session which ended the Friday before Thanksgiving — we are 1/3 of the way through our rough cut!! And the remaining 20 scenes are clearly mapped out and ready to be attacked as soon as more funding comes in.
Shirley Thompson and Robin Lung wrap up the last day of a 2‑week edit session just in time for Thanksgiving. Counting our blessings for the many folks who’ve gotten us this far.
It’s a great landmark in the life of our film. We couldn’t have gotten this far without the support of over 300 individual donors and the encouragement of film fans from far and wide.
Three Act paper edit — Done! Thanks to the great writing software tool named Scrivener (no they did not pay me to say that)
Help us get to the finish line in 2015 with a tax deductible donation by clicking on the red donate button to the right. Continue reviewing FINDING KUKAN’s year in the next few posts.…
The Power of the Press, Part 2 — Roy Cummings
A blog in support of FINDING KUKAN’s 10K in 10weeks “Keep This Film Alive Campaign”.
How was the pioneering female reporter May Day Lo connected to KUKAN’s co-producer Li Ling-Ai? Leads to that question had dried up for me a long time ago. Then last November Honolulu Star-Advertiser reporter Mike Gordon wrote a big feature article about FINDING KUKAN. I received a number of enthusiastic emails about the article and one strange phone call.
“I’m so mad!” Those were the first words Susan Cummings said to me. “I’m sure he knew her. If only he were still here, he could tell you.” She was referring to her husband who was no longer alive. To tell you the truth, I thought Susan might be a raving lunatic. But as we talked longer I realized that Susan’s late husband was Roy Cummings. He’d been a reporter at the Honolulu Advertiser in 1937, the same year KUKAN’s director Rey Scott started working there. Like Rey Scott, he had roots in Missouri. Roy was also notable for trying to unionize the Advertiser at that time. Susan told me he was fired for doing so, was almost run over in a parking lot, and blackballed by the Honolulu Star-Bulletin too. It would take Roy Cummings another 12 years to establish the Hawaii Newspaper Guild in 1949. He seemed just like the kind of guy that Rey Scott would gravitate to.
Roy Cummings founded the Hawaii Newspaper Guild in 1949 (photo courtesy of Honolulu Star-Bulletin)
Coincidentally Roy’s first wife Margaret Kam had been a “person of interest” to me when I was trying to hunt down the real life inspirations for the detective Lily Wu. Because Margaret was a colorful character too – a Chinese actress and reporter in Hawaii who had the gumption to marry a white guy at a time when traditional Chinese families still frowned upon those things.
Margaret Kam (center) mans the all female copy desk at the Honolulu Star-Bulletin during WWII (courtesy Susan Cummings)
Once I made the connection, the conversation with Susan started sparking with names and situations from Roy Cummings’s past. I mentioned that I had been trying to find information on the Star Bulletin reporter May Day Lo, and Susan exclaimed, “May Day Lo was Roy’s first love!” It turns out that Roy and May Day went to journalism school together in Missouri. Roy fell in love with May Day and followed her out to Hawaii.
May Day Lo and Roy Cummings (center) gather with fellow University of Missouri journalism students in downtown Columbia
Now I was the one who was mad that Roy was no longer alive. I felt sure that he’d been acquainted with Li Ling-Ai and Rey Scott in one way or another. He probably could have provided some interesting stories about the two of them and the making of KUKAN. Susan graciously invited me over to her house in Lanikai to look at Roy’s photograph from the time period – the next best thing to meeting the man in person.
Susan Cummings with Wyeth portrait
Susan Cummings hunts for clues in her husband’s photo albums
Roy’s photos put more flesh and blood on what had previously been merely names on a page. They also gave me some insight into the lifestyle Rey Scott must have experienced when he first arrived here.
Aloha Tower in the mid 1930s (photo courtesy Susan Cummings)
Like Roy Cummings, Rey Scott holed up in Waikiki when he first got to Hawaii. Could his room have looked like this? (photo courtesy of Susan Cummings)
But the photos didn’t do much to fill in the gaps of the KUKAN story. In fact they brought up more questions than answers. Susan herself was mystified as to what happened between May Day Lo and Roy. Why had he married Margaret Kam instead of May Day? She’d never thought to ask Roy about it when he was alive. I wanted to know if anyone had saved May Day’s papers and if Ling-Ai’s letters or clues to KUKAN were amongst them.
Roy Cummings and May Day Lo in downtown Honolulu (photo courtesy Susan Cummings)
Egged on by mutual curiosity Susan and I exchanged a flurry of emails and research findings in the next few weeks. Susan proved to be a willing and able sleuth, and together we found out some very interesting things which I’ll share in future posts. For now I want to pay tribute to the “father of the Hawaii Newspaper Guild” and thank the ghost of Roy Cummings for putting Susan and I together. Of course the “power of the press” had a lot to do with it too.
Support our 10K in 10 Weeks campaign by clicking the red button.
(As of 9/24/13 we have raised $7,165 and have $2,835 more to raise by 10/15/13)
The Power of the Press: Part 1– May Day Lo
A blog in support of FINDING KUKAN’s 10K in 10weeks “Keep This Film Alive Campaign”.
In the Lily Wu detective novels by Juanita Sheridan one of the colorful sidekicks is a female reporter named Steve (Stephanie Dugan) who funnels information to her two amateur detective friends Lily and Janice. Since many of her fictional characters are based on real life people, I wondered if Sheridan based Steve on some of the ballsy female reporters who were breaking into newsrooms in the 1930s. So my ears pricked when I heard that Li Ling-Ai had a journalist friend in the 30s and 40s named May Day Lo. Yes, that is her real name, and no she was not even born in May.
May Day Lo at the University of Missouri (photo courtesy Susan Cummings)
In the mid 1930s May Day Lo made history by being one of the first Asian American women hired to report for a major daily newspaper. The progressive Honolulu Star-Bulletin hired Lo and Ah Jook Ku after they graduated from the University of Missouri Journalism School. May Day Lo also broke ground at Journalism School by being the first “exchange student” accepted there (remember, Hawaii was still a territory and not officially part of the United States).
How does a girl from Hilo get to Missouri in 1933?
Notably, in 2010 when the Asian American Journalists Association put together a list of pioneering Asian journalists, a majority of them were from Hawaii. AAJA historian Chris Chow commented, “Hawaii was more open to multiculturalism. There was recognition that this is an important market and you’d better well serve them (Asian-Americans) if you want to make any money.”
Back in the 30’s, the Star Bulletin seemed to cover stories about local Asians more comprehensively than the rival Honolulu Advertiser. And May Day Lo’s byline was on several early articles written about Li Ling-Ai, including the one that probably prompted Advertiser reporter Rey Scott to call Li Ling-Ai into his office for an interview on that fateful night in 1937 when plans for making KUKAN were first hatched.
Reporter May Day Lo gives front page coverage to fellow Chinese American pioneer — Li Ling-Ai (aka Gladys Li)
I love knowing that a petite Chinese woman who was raised by a reverend in Hilo was the first exchange student at the prestigious University of Missouri School of Journalism and that the power of her pen brought attention to another pioneering Chinese young woman in a way that changed her life forever. I wanted to find out more about May Day Lo, especially when I found an intriguing letter from her to Li Ling-Ai:
July 31, 1941,
Dear Li Ling Ai,
Now that I am home again, it all seems like a dream that I met you and all the others in New York and had such a wonderful time…. Please give my Aloha to Mrs. James Young, Rey Scott and Mr. Ripley when you see them.
May Day Lo had been in New York right around the time when KUKAN premiered at the World Theater just off Broadway! She had met both Rey Scott and Robert Ripley – two key players in Li Ling-Ai’s life at the time. Could May Day hold clues to some of the unsolved mysteries surrounding KUKAN?
Unfortunately May Day had died in a tragic car accident in 1986. May Lee Chung, editor of the ACUW publication that documents so many pioneering Chinese women’s lives (see other posts about this “Orange Bible”), could remember clearly the circumstances of May Day’s death. But she did not know what had become of May Day’s only child David, someone who might be able to tell me more. The trail remained cold until the Power of the Press struck again in 2011. Stay tuned…
Support our 10K in 10 Weeks campaign by clicking the red button.
(As of 9/6/13 we have raised $5,025 and have $4,975 more to raise by 10/15/13)
Soo Yong – Another Chinese Woman We Should Know More About – Part 2
A blog in support of FINDING KUKAN’s 10K in 10weeks “Keep This Film Alive Campaign”.
A family story often told about Soo Yong (born Ahee Young) is that when she was four or five years old her father became gravely ill and summoned the family to hear his last words. But Ahee was missing. The family searched all over for her. They finally found her in Wailuku town. She was completely mesmerized by the performance of a Chinese opera troupe who had come to town. This is Soo Yong’s earliest dramatic memory.
Chinese Opera Performers in Hawaii
Si it must have been a dream come true for Soo Yong when in 1930, at 28 years of age, she was chosen to accompany the most famous Chinese opera star of all time on a six-month tour of America.
Soo Yong acts as Mistress of Ceremonies for Mei Lanfang’s 1930 tour of America
Mei Lanfang was also idolized by Li Ling-Ai whose dramatic interests were stirred up by Chinese opera performances her father took her to when she was a young girl. During his 1930 tour Mei stopped in Honolulu and Li Ling-Ai had a chance to meet him.
Photo from the ACUW publication TRADITIONS FOR LIVING
A year or so later Li Ling-Ai left on her second trip to China and told newspaper reporters she intended to study with the great man – a lofty goal for a recent graduate of the University of Hawaii. I wondered if Soo Yong’s insider position emboldened Li Ling-Ai to approach the great Mei for lessons.
Honolulu Star Bulletin Article from August 6, 1932
I found no subsequent mention of Li Ling-Ai studying with Mei Lanfang. But several biographies of Li state that she studied privately with the famous dancer Chu Kuei Fang. It was hard to find any mention of Chu Kuei Fang on the internet and I began to doubt Li Ling-Ai’s claims. But in Soo Yong’s personal scrapbook that was donated to the University of Hawaii, I discovered Chu listed as a performer in a 1930 program for Mei Lanfang’s tour.
Chu Kue-Fang performs on the same program as Mei Lanfang
Chu must have been very accomplished to share stage time with the great Mei Lanfang. I wonder if this old photo, found amongst Li Ling-Ai’s possessions, is of Chu Kuei Fang. If anyone can positively identify the man in the photo, please let me know.
Could the man behind Li Ling-Ai be Chu Kuei-Fang?
Soo Yong and Li Ling-Ai also shared a passion for helping their Chinese homeland during the Japanese invasion of the country. As early as 1937 Soo Yong was performing in benefits to aid Chinese refugees.
December 1937 Soo Yong hosts tea for China Relief
1937 was also the year that Li Ling-Ai sent Rey Scott to China so that the story of the people of China could be told in photographs and film – the film would eventually become KUKAN. Whether Soo Yong was a role model for Li Ling-Ai or simply another extraordinary Chinese woman who became a political activist when war came we might never know. But one thing’s for certain — we should definitely know more about her than we do.
May 2, 2013 — Collaborating With Shadow Creatives
I knew when I saw the stunning shadow visuals designer/animator Chris Do did for a GAP campaign that I wanted to use the same technique for FINDING KUKAN. I envisioned Do’s animation being brought to the genius shadow scenes that Larry Reed develops for ShadowLight Productions as the perfect way of carrying the emotion of especially intimate or harrowing scenes in the dramatic narrative of Li Ling-Ai and Rey Scott’s lives.
So it was thrilling to have both Chris Do and Larry Reed in the same room with me today in Santa Monica at Chris Do’s BLIND design studio office space. Larry joined us by SKYPE and conference call from San Francisco (SKYPE can drop out on you when bandwidth is scarce).
Chris Do and Robin Lung SKYPE Larry Reed from the BLIND offices in Santa Monica
After our meeting I realized that I had found two creative geniuses who were also practical producers with years of experience in how to ACTUALIZE a visual idea. The pragmatic, step-by-step path to bringing a new way of visual storytelling to the screen in FINDING KUKAN, just got a whole lot clearer thanks to Larry & Chris.
Chris Do helps Robin Lung lay out a plan of action for creating FINDING KUKAN’s shadow scenes.
I invite you to check out their work HERE and HERE. If you are as wowed by it as I was, please consider contributing to the collaboration process at our Post-Production GIFT REGISTRY. If you have any cool shadow ideas or images you think would work well in the film, please post on our Facebook page at http://www.facebook.com/kukandocumentary and write “Shadow Idea” in the comments section (and don’t forget to LIKE us while you’re at it)!
April 25, 2013 — Major Archival Discovery Starts with a Party
It was my husband Paul who convinced me that I should have a fundraising party. So last October I got many volunteers together to throw one. Terry Lehman Olival helped by sending press releases to the local media and got the attention of Star-Advertiser reporter Mike Gordon.
Mellanie Lee, Debra Zeleznick, Robin Lung and Terry Olival at “A Night in Old Shanghai” fundraiser
“That might be the coolest story I’ve heard in a long time,” Mike said, and promised to write an article on it. The more Mike found out, the more he wanted to know. His article grew and grew. My fundraising party came and went; my Kickstarter campaign came and went.
Honolulu Star-Advertiser reporter Mike Gordon signs his support fpr KUKAN with a “K”
Finally the opus turned up – a 3‑page spread on the film, complete with color pictures, showed up in the Sunday newspaper and drew response from people as far away as Kentucky!
Mike Gordon’s article “Reel Obsession” appears in the November 18, 2012 Honolulu Star-Advertiser
DeSoto Brown, curator at the Bishop Museum, also read Mike’s article and something clicked. He remembered a donation of lantern slides made to the museum by Betty Li, Li Ling-Ai’s older physician sister, back in the 80’s. In fact the slides were marked as being related to KUKAN! Early in my research I had read that KUKAN’s director Rey Scott lectured with a group of slides, but no one in his family remembered seeing them or hearing anything about them. I had given up on finding them.
Lantern slides of 1937 Nanking taken by Rey Scott during pre-production for KUKAN
So I was on pins and needles last week when I finally connected with DeSoto at the Bishop Museum and had a chance to examine the slides myself. They didn’t disappoint — 97 images of 1937 Nanking, including some with Rey and Betty Li, brought Rey’s first trip to China to life for me in a thrilling way and helped answer some of the mysteries that had been plaguing me for years.
1937 Nanking bomb shelter. Dr. Betty Li and Rey Scott (far right) with Betty’s son Andrew Li
Bishop Museum curator DeSoto Brown becomes a fellow investigator on FINDING KUKAN
April 21, 2013 — Looking Forward; Looking Back
Editor Shirley Thompson takes notes on Li Ling-Ai Interview — Yes, Shirley is a Rangers fanatic
We are Editing!!
Three fourths of the way through production with over 4TB worth of raw footage and an amazing story that continues to unfold in the present as well as the past, I really needed help to put some reins on this film. Good thing I had Shirley Thompson (editor of the online fundraising teaser) scheduled for four weeks of preliminary editing (funded in part by all the generous contributions of our Kickstarter backers and Indigo party attendees).
In four weeks here are the major things I learned:
1) We have an INCREDIBLE three act story that reads like a major Hollywood movie script!!!
2) We still have a long way to go and lots of fundraising to do to give you a final film that can do justice to this incredible story.
3) So many of the things I’ve learned and experiences I’ve had and great people I’ve met will not make it into the final film.
4) It’s all part of the process
As a response to #3, and inspired by the recent blog posts of fellow Asian Actress/Actor history detective Durian Dave, I have made a pledge to blog about my FINDING KUKAN encounters and adventures as often as I can in the next few months. It may only be to assist my aging memory cells, but if you’re interested in sharing a little of the journey I’ve been on, please drop a line or a comment to let me know you’re out there. And stay tuned for more about #1, 2 and 4 in future posts. There are plenty of surprises in store.
Over 4TB of FINDING KUKAN footage is being cloned on these two drives — named “Derek Holland” and “Yu Darvish”
The real Derek Holland takes the mound for his first game of the season. The editing process, like the baseball season, is a long one.
Shirley Thompson announces the editing room chocolate of the day.
All those post-its represent FINDING KUKAN sound bites
Act One of FINDING KUKAN begins to take shape.
October 8, 2012 — KUKAN Moves from the ER to the Operating Table
Many of you know by now that my documentary FINDING KUKAN revolves around my discovery of the “lost” 1941 Oscar-winning color film of war-torn China called KUKAN. Many of you might also be wondering, where in the H… is KUKAN? If it was found, then why can’t we see it? Well when I tracked down the only full copy of the film it had been sitting in a Fort Lauderdale studio for a few decades and then a Georgia basement for a couple more. Heat and humidity had done its work.
AMPAS documentary curator Ed Carter opens up the can containing KUKAN for the first time.
When AMPAS’s Ed Carter and Joe Lindner opened the rusty metal can that contained KUKAN they winced. “Vinegar,” they both said, wrinkling their noses. I learned later that that is a sure sign of deterioration. As Joe examined the 2 reels of film that represented 90-minutes of invaluable color footage of China in 1939 and 1940, he detected both shrinkage and brittleness (more bad signs of deterioration). Joe said he’d seen films worse off…but not many. Things looked pretty grim. If we were in the Emergency Room, this would be time for triage.
Fortunately a deteriorating film takes longer to die than a bleeding human. Two years later, KUKAN has been stabilized but is still in pretty bad shape as you can see by the photos I took of it last week at Colorlab in Maryland where AMPAS sent it to have major restoration work done.
One of the film cannisters that holds the only known full copy of KUKAN
Close up of the shrunken 16mm film that contains some of the first color footage of China.
Parts of it are so curled that they will never be able to be re-plasticized (a sort of Botox process for film that hydrates it enough to allow it to lay flat in the scanner without breaking).
The worst part of the 2 KUKAN reels was so curled it looked like the plastic straws you drink out of.
A partial copy of KUKAN that I located in the National Archives (NARA) will be used to fill in those parts that are unsalvageable. The NARA copy was kept in a temperature controlled environment all these years and is in fairly good shape. But even that has to go through a frame by frame scanning process to pull both image and soundtrack from the 16mm strip.
DP Frank Ayala shoots the scanning of a partial copy of KUKAN on the monster machine at Colorlab
DP Frank Ayala, 2nd Camera Mia Fernandez and I arrived at Colorlab to film the initial frame by frame scanning of the NARA print and learned a lot about the care and effort needed to bring a film back to life.
A.J. Rohner, project head on the KUKAN restoration, threads the NARA print through the scanner.
A.J. Rohner, head “surgeon” on the KUKAN restoration process, assured me that “my patient” could be saved despite its horrific appearance. He gave us a tour of the monster machine that does the scanning – an invention of Colorlab engineer Tommy Aschenbach.
The scanner doing all the work is a fascinating contraption that blinks and whirs and beeps — just like something out of Startrek.
I was entranced by its gorgeous parts, blinking lights and robotic movements — so much more tangibly satisfying to see at work than watching the little gray line creep across your computer screen as your digital footage downloads.
Frame by frame scan begins on the opening scenes of KUKAN
Rey Scott in one of the opening scenes of KUKAN
I also learned how the sound from the film will be lifted from the scan, VISUALLY corrected before turning into sound waves and then cleaned and scrubbed to get all the ticks, and hisses out. I was surprised to learn that those little horizontal lines on the edge of the film are what make the sound come alive through the projector – a magical phenomenon when you think about it.
Tommy Aschenbach demonstrates the magic involved in restoring sound on a film
If you look carefully you can see the sound stripes on one edge of the film. The top strip is the badly deteriorated copy of KUKAN I found. Notice the color loss.
From the photo below A.J. identified the camera Rey Scott was using in China as a 16mm Bolex.
Publicity photo of Li Ling-Ai and Rey Scott taken in 1941
Colorlab technician Laura Major just happened to have one in the office that she still shoots with.
Laura Major demonstrates the workings of her 16mm vintage Bolex
Holding that camera in my hands, looking through the tiny viewfinder, and learning that the camera could only shoot 100 ft of film at a time (roughly 2 minutes) gave me a much greater appreciation for Rey Scott’s heroic accomplishment in filming the epic scenes contained in KUKAN, especially the 15-minute sequence at the end of the movie that depicts the massive bombing of Chungking and the fiery destruction of the city.
Chinese boy looks into Rey Scott’s Bolex on location for KUKAN
You can’t believe how tiny everything looks through this viewfinder — no wonder Rey had a hard time focusing in places.
I am more determined than ever to reach our $16,000 Kickstarter goal so that we can keep following the magical resuscitation of KUKAN and track the amazing story behind its creation. Please join me on this journey, it’s going to be an incredible ride!
October 15, 2012 — FINDING KUKAN Makes it on The Oscar’s Most Wanted Site
What a difference four years makes. When I first read a mention of KUKAN in Li Ling-Ai’s memoir LIFE IS FOR A LONG TIME, I looked it up on Wikipedia only to find that no known copy existed. Ed Carter, the Academy Motion Picture Arts and Sciences Curator had been searching for KUKAN at that point for 6 years. Now thanks to my dogged attempts to identify a Chinese American heroine in a vintage detective novel, KUKAN is now on the Found list on Oscar’s Most Wanted website. Want to know more of the story? Back us on Kickstarter now until November 17 to help get the rest of the story told in FINDING KUKAN.
Screen shot of the the FOUND section of Oscar’s Most Wanted website that features KUKAN and FINDING KUKAN.
Have a lost and found treasure story yourself? Please share. We’d love to hear it.
